Picasso, de Chirico and Dalí
A dialogue with Raphael
One hundred masterpieces from some of the main international museums: an unpublished and in-depth study on the way in which Raffello’s art has influenced three of the most important protagonists of the twentieth century.
Picasso, de Chirico and Dalì. A dialogue with Raphael Although approaching Raphael in wholly different ways, the three artists were inspired by the lesson that his work provided, which they studied, quoted and interpreted throughout their long careers. Whilst de Chirico openly showed his admiration for Raphael, whom he considered an important source of reference during the development of his poetical Metaphysical art and successive classical period, Dalí made no mystery about his veneration of this great master. On the other hand, Picasso never confessed to his direct encounter with the Renaissance master’s work, despite the latter appearing to have influenced some of the Spaniard's masterpieces, inspiring an irreverent series of etchings dedicated to the theme of Raphael and La Fornarina. The exhibition is structured into 8 themed sections, three of which explore each artist’s individual relationship with Raphael’s art, which was learned and systematic for de Chirico, vehemently self-identificatory for Dalí, and more immediate and critical for Picasso. Featuring 100 masterpieces that illustrate the dialogue between ancient and modern art, loans have been sourced from some of the most important international museums, such as Gallerie degli Uffizi, Musée national Picasso (Paris) and Fundació Gala-Salvador Dalí (Figueres).
Picasso, de Chirico and Dalì. A dialogue with Raphael Although approaching Raphael in wholly different ways, the three artists were inspired by the lesson that his work provided, which they studied, quoted and interpreted throughout their long careers. Whilst de Chirico openly showed his admiration for Raphael, whom he considered an important source of reference during the development of his poetical Metaphysical art and successive classical period, Dalí made no mystery about his veneration of this great master. On the other hand, Picasso never confessed to his direct encounter with the Renaissance master’s work, despite the latter appearing to have influenced some of the Spaniard's masterpieces, inspiring an irreverent series of etchings dedicated to the theme of Raphael and La Fornarina. The exhibition is structured into 8 themed sections, three of which explore each artist’s individual relationship with Raphael’s art, which was learned and systematic for de Chirico, vehemently self-identificatory for Dalí, and more immediate and critical for Picasso. Featuring 100 masterpieces that illustrate the dialogue between ancient and modern art, loans have been sourced from some of the most important international museums, such as Gallerie degli Uffizi, Musée national Picasso (Paris) and Fundació Gala-Salvador Dalí (Figueres).
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